As I walk into the club tonight, I see the same setup...the auction check-in tables are set up, the props are deployed, and another whirlwind of parking nightmares for latecomers to the restaurant cap a Saturday filled with activities. Reflecting on my early twenties, going to charitable events was an intoxicating experience. I loved them.
Fast-forward to present. I've been to hundreds of these luncheons which are free but where you're expected to write a check . . . no matter how heart-wrenching the speakers plea - each only gets a modest $50 check to cover costs and a donation. The evening benefit events are more taxing. Will they have 20 live auction items, or a suitable ten? Will it have the same trip to Italy as the last 10 events, or something inventive?
Back in those old days I confided my love for these events in a friend twice my age. His prediction for the future was correct - I would come to frown on having to don a tux or suit to attend the same old thing each year. To get perfection, one must remain in New York, D.C., or L.A. in terms of creativity. I imagine the queen feels the same way but has trained herself to accept it...Christmas at Sandringham, Order of the Garter. Tradition is lovely, but change in the event world is imperative to retain audience share.
We have a theory about charitable events. Each is allowed three years in the limelight and then becomes an also-ran. I've seen it dozens of times. Organizations must continually reinvent their events to remain fresh and inviting...that is the secret to audience share. In addition, finding some banner members of an honorary event committee early on will help with procuring the right sponsorships and the creativity to access original and interesting auction items.
In Portland, the Children's Charity Ball fixed the age old problem of having to worry about auction items...it just charged $1000 per couple and raised a ton of money. But, then it expanded to the convention center and the aura changed forever - causing the event to fold.
So many things that contribute to success or failure - and keeping us interested in going. Development directors and event managers take heed!
The Lansing Chronicle
Saturday, April 5, 2014
Tuesday, April 1, 2014
Seven Hours / Joey's Backstory
Here is a short story giving a little backstory to the character Joey's life in Cage of Privilege:
Seven Hours
A
short story by Lane Lee Lansing
Set in Spring 2009
Every day, I’m happy to get seven
really good hours. That’s how I measure
my success. These hours are not related
to sleep or work. My body forces me to
sleep each night and I’m thankful I have never had nor will I ever need a job. When I wake up in the afternoon at three each
day, gradually slipping out of the drug and alcohol coma, my head is buried in
the pillow. It causes the tragus to put
pressure on my ear so the pulsing of the heartbeat is nearly audible. I flex and stretch out of a groggy daze, certainly
an after-effect of my Olympic abilities to consume massive quantities of coke
and cocktails as part of the previous evening’s exploits throughout the city. It’s an accomplishment to be alive as I begin
to ready myself to drive across town to the club.
The first order of business is to
get stabilized. I always keep a spare 8
ball in the nightstand for the waking hours.
Once I figured out that I spend about $150,000 each year on blow – one 8
ball a day for me, and one for the stragglers.
That’s about one-tenth of the total annual net income that I see from
the trust my mom set up for me. The good
stuff costs, too, depending how high on the food chain the Mexican distributor
is. But, finding it isn’t as hard as
you’d think – you can get most anything you want puttering around the locker
room at the club. I keep my nose fresh
for later, so the routine is to prepare a mix of Red Bull with the coke to
booty bump. The caffeine is refreshing,
but the blow electrifies me.
I live in The Dakota facing Central
Park in one of the largest units. At
10,000 square feet, it’s a commodity and I’m sure the co-op wouldn’t have
approved me today even though it’s one of the more liberal buildings. But, I just laugh it off when our board toys
with the other shareholders. Poor
Roberta Flack can’t even get approval to fix or replace her bathtub. After allowing the first hit of the day to
sink in, I’m showered, calm, and ready to call for the valet to bring around my
car.
I love what money can bring you. That’s different from loving money, which is a
sin. Enjoy what it gives you. Euphoria, sex, strippers, hookers, access,
cocktails, and drugs are what fuel me. Am
I scared to die? Why would I be? In my mind I’ve done more than almost anyone
at 39. When I’ve decided it’s time to
check out, I’ll take one last bump and call it good.
My car is the ultimate status
symbol – a Bentley Continental GT. It’s
a nice car but the real benefit is what it picks up. The stragglers - friends of the family and
assorted losers that I met in rehab that are with me as placeholders – aren’t
of particular interest. However, the
legions of prostitutes I keep in my stable as the top customer will admit it’s
a nice ride. The professional ones work
the usual places and are easily found.
The amateurs who work for other benefits – not the cash - reveal
themselves strategically and are far more interesting and adept at their craft
than the professionals. But, I’m not
stupid enough to marry a gold digger.
Unlike the pros, at least they can talk about current affairs. I like a woman with who is knowingly discreet,
cloaking her true intentions while she’s being presented in public. It’s a novel concept – the whore masquerading
as an innocent and so-called equal in society.
At 75, my mother Jane Torrance is still
the chairman of the company she founded with my dad. After I was born, it was very apparent that
her other child – our company, Torero Resources – was the favored one. I know I’m not book smart, but I didn’t
expect to be written off the way both of them seemed to dismiss me without even
a test so early in my life.
After dad died, the company became
her life. When I would stay with her on
vacations from boarding school at her penthouse on Fifth, she would literally
quake if I came out of my room during one of her famous dinner parties for
twenty-three of her closest friends. The
fear you could see in her eyes was priceless as I’d walk toward her at the
dinner table to kiss her goodnight before heading out. I’m not that unpredictable but playing nice
with the loveless bitch has always been the path of least resistance. She does her thing, and I do mine.
After I buy the next day’s supply
of coke from my dealer in the locker room and do a quick bump in the toilet
stall, an executive workout in the steam room calls to pull all the toxins out
of the pores. The sauna and hot room are
also part of the process before showering and heading upstairs to try and mind
my own business while all-too-eager legions of fellow club members mill around
and try to make conversation.
Going to the club’s main level
means I must present myself perfectly.
Not because I really care what people think of me, but because I
ultimately still crave the respect I’ve never received in life as a rich kid
and known-quantity party scene abscess.
Heading to the bar that is attached to the restaurant, I run into all
sorts of people from the Upper East Side.
The tireless drivel of conversation begins with seeing some of my mom’s
friends, people edging for a donation who know I’m a trustee for the $400
million foundation that bears my father’s name, and the worthless private
bankers that try to shield me from myself by giving me an allowance. A fucking allowance at 39. But, I look good – well-dressed and I’m ready
to schmooze. The drugs won’t take their
toll for a few years like they’ve done so many times before with facsimiles of
me from other families, so I carry on without a care.
The
conversations always go something like this.
I never actually respond honestly like I would like to.
Yes. My mother is fine. [Eat shit, you
cocksucker. She never liked you.]
Email me, I’ll see what I can
do. [Ha!
You won’t get shit for a donation because you’re too fat for me to sleep
with.]
Grandmother is still on Park in her
place. [Aren’t you the same old senile cotton
head who’s always here?]
Isn’t Arch Cape in Oregon perfect
for a retreat? [God I hate that place. It’s
just like Gearhart.]
You’re too kind. [I despise wealth managers. Don’t jockey for position. It’s not going to happen.]
The pleasantries are somewhat of a
delight. Finally, recognition from
people. So gratifying. No one can touch me walking out of the club
triumphant. I go pick up Ricky, one of
the stragglers. He’s already spun on
something, but is gregarious and able to start conversation with any number of
the actors along the way so he’s a useful commodity.
We pull up to some second-rate
strip club in Hell’s Kitchen. News
travels fast inside about what’s just pulled up out front. Sitting at the rack, Ricky and I get an
amazing view of the cornucopia of opportunities for the evening. We tip with c-notes, not twenties. One by one, the girls slink before me to
entice a response that could signal that one could be lucky enough to make a
pilgrimage home to The Dakota.
More bumps in the bathroom chased
with vodka shots. I send Ricky on his
way with a couple hundred to thank him for his companionship while I try to
decide who the lucky one is. By this
point at only ten o’clock I’m spinning hard.
The place and crowd begin to blur and resemble the cantina in Mos
Eisley. I decide it’s just better to head
home – a straight-shot up Eighth to Central Park West. The bouncers know me well and deposit both me
and my car at the Dakota for the doorman to escort me upstairs to safety. Popping an Ambien, I pass out face down on
the bed. Head buried in the pillow, I
look forward to another great seven hours.
Monday, December 30, 2013
The Drugs and The Mothers
Absolutely accurate. I love Swoosie Kurtz and Faye Duniway...exemplifying the pill popping mothers of the West Hills...unfortunately more true than not. Great performance :)
Sunday, November 17, 2013
The Ideal Private Social Club
Recently I've been doing some research on private social clubs throughout the world and decided it would be fun to conceptualize my ideal. In my first book, the fictional Regent Club figures prominently and I thought it would be an interesting experience to get into the heads of hospitality mavens and create something that was so exclusive - so perfect - that it would outshine some of the world's most notable private social venues.
This, of course, stemmed from my own set of expectations where I'm usually disappointed. My expectations for a club come in many ways from the core basics of Disney customer service. It is rare even at the finest club to experience the level of service that Disneyland and it's cadre of college-age cast members can consistently deliver. Therefore, what does it take to create a nearly infallible total experience?
MANAGEMENT AND LEADERSHIP
I used to be concerned about what could be perceived as a "strong manager - weak board" scenario. This usually only develops into a problem if a manager has a tenure that's too long where a sense of entitlement could begin to develop. Boards who "schedule" a management shift every seven years and seek out fresh and innovative talent are by far the most forward-thinking and interested in optimal member experience. The Eisner Syndrome begins to develop if the manager feels too comfortable. The first ten years of Michael's time at Disney were Renaissance ... the second ten cost shareholders over one billion between the Ovitz exit, Katzenberg settlement, purchase of the family channel, and the deterioration of the Pixar relationship which Bob Iger ultimately repaired after Michael's exit.
A board should let the manager do what they do best, and only offer strategic guidance and measure key performance indicators. Boards and committees that meddle in the minutiae create log jams for a staff to provide stellar service and member experience. Boards should stick to governance while staff is both strategic and tactical. I would always search for new talent out-of-market as the result of an in-market search often creates status quo.
VENUE AND EXPERIENCE
It's true - I want music in the bathrooms. I want stunning artwork on the walls. I want gathering places - billiards, cards, games. I want a relationship with staff that is mutually respectful but not too familiar. One of the things I dislike the most in service is how all of us - both member and staff - tend to get too familiar with each other. The net result of that familiarity promotes gossip, favors, and other uncomfortable situations. As an example, you become friendly with a bartender and expectations change - a free cocktail, an extra healthy pour, getting the dirt on other staff or management. It simply has no positive - and again a culture of entitlement develops.
Everything revolves around the member experience. While it's true that Mrs. X who lives in her stunning mansion on Bellevue Avenue in Newport will cling to every last penny and wear the same old coat and drive the same old car, she has another side where she will spend money on herself. Members want unparalleled experiences like those that are delivered at New York City's Core Club. And, we will pay to get it if it consistently exceptional.
PROFESSIONAL VS MEMBER-RUN
Most clubs I visit these days are elegant old institutions. But, they're tired. It's the same furniture, the same art, the same steak, the same everything. That's good for Mrs. X, but for future generations it's trending away from "same." New is the name of the game - revolving, changing, imaginative, creative, and something we can't get anywhere else. While you'll always have some grand old stalwarts like the Congressional Country Club that can command an eternal audience from Washington, DC's elite, the rest of the nation and world are indeed changing - and the clubs that change will survive.
The most popular private clubs are now owned not by members but by entertainment consortiums or promoters. The phenomena of Soho House, Core Club, and other spectacular tips of the hat to perfection in service and quality is the start of a fundamental shift away from member-"managed" clubs. It all goes back to Disney. When you enter a Disney theme park, you forfeit your ability to make a decision for yourself and succumb to suspension of disbelief - you hear the birds singing in Adventureland, but you never want to realize it's a recording. The same happens when you enter one of these supervenues.
My dearest friend and I visited a new quasi-private venue and decided to join recently. It's a small place, and probably the hype of it all drove our decision. But, what couldn't be changed was how easily it was to get caught up with the manufactured reality of the place. Yes, the person sitting next to me was on her mobile phone, but I myself was in a 1930's lounge where everyone on staff remained polished, informative, and absolutely on-point for our entire visit. Now - that's something to aspire to.
In addition to character, it's about the fact that a property or house committee are the last places where decisions on decor or architecture should be made. As I always say, the King Dome in Seattle was designed by committee, and look what happened to that. By removing the opportunity for members to imprint themselves on the private club, zealots who have special interests are easily managed. Moving forward, venues that are owned by hospitality professionals will trump the private club in terms of experience.
QUALITY
The last component to perfection is quality. A club that took a significant risk recently is notable. While for all intensive purposes it has a committee system, one cannot dispute the absolute quality of its general manager. The club hired the individual out-of-market and the decision to do so and net results have been as exciting to witness as a championship college football game. The club had one of those traditional restaurant venues Mrs. X would have enjoyed and decided to make a strategic investment. It hired a sought-after new chef - but gave the chef the flexibility with budget to make a significant impact on quality. Again - net result = packed restaurant.
Bucking trends, taking risks, and being ahead of all competition (like everything) is the recipe for the private social club to remain relevant to sustain and grow membership from quality demographics.
This, of course, stemmed from my own set of expectations where I'm usually disappointed. My expectations for a club come in many ways from the core basics of Disney customer service. It is rare even at the finest club to experience the level of service that Disneyland and it's cadre of college-age cast members can consistently deliver. Therefore, what does it take to create a nearly infallible total experience?
MANAGEMENT AND LEADERSHIP
I used to be concerned about what could be perceived as a "strong manager - weak board" scenario. This usually only develops into a problem if a manager has a tenure that's too long where a sense of entitlement could begin to develop. Boards who "schedule" a management shift every seven years and seek out fresh and innovative talent are by far the most forward-thinking and interested in optimal member experience. The Eisner Syndrome begins to develop if the manager feels too comfortable. The first ten years of Michael's time at Disney were Renaissance ... the second ten cost shareholders over one billion between the Ovitz exit, Katzenberg settlement, purchase of the family channel, and the deterioration of the Pixar relationship which Bob Iger ultimately repaired after Michael's exit.
A board should let the manager do what they do best, and only offer strategic guidance and measure key performance indicators. Boards and committees that meddle in the minutiae create log jams for a staff to provide stellar service and member experience. Boards should stick to governance while staff is both strategic and tactical. I would always search for new talent out-of-market as the result of an in-market search often creates status quo.
VENUE AND EXPERIENCE
It's true - I want music in the bathrooms. I want stunning artwork on the walls. I want gathering places - billiards, cards, games. I want a relationship with staff that is mutually respectful but not too familiar. One of the things I dislike the most in service is how all of us - both member and staff - tend to get too familiar with each other. The net result of that familiarity promotes gossip, favors, and other uncomfortable situations. As an example, you become friendly with a bartender and expectations change - a free cocktail, an extra healthy pour, getting the dirt on other staff or management. It simply has no positive - and again a culture of entitlement develops.
Everything revolves around the member experience. While it's true that Mrs. X who lives in her stunning mansion on Bellevue Avenue in Newport will cling to every last penny and wear the same old coat and drive the same old car, she has another side where she will spend money on herself. Members want unparalleled experiences like those that are delivered at New York City's Core Club. And, we will pay to get it if it consistently exceptional.
PROFESSIONAL VS MEMBER-RUN
Most clubs I visit these days are elegant old institutions. But, they're tired. It's the same furniture, the same art, the same steak, the same everything. That's good for Mrs. X, but for future generations it's trending away from "same." New is the name of the game - revolving, changing, imaginative, creative, and something we can't get anywhere else. While you'll always have some grand old stalwarts like the Congressional Country Club that can command an eternal audience from Washington, DC's elite, the rest of the nation and world are indeed changing - and the clubs that change will survive.
The most popular private clubs are now owned not by members but by entertainment consortiums or promoters. The phenomena of Soho House, Core Club, and other spectacular tips of the hat to perfection in service and quality is the start of a fundamental shift away from member-"managed" clubs. It all goes back to Disney. When you enter a Disney theme park, you forfeit your ability to make a decision for yourself and succumb to suspension of disbelief - you hear the birds singing in Adventureland, but you never want to realize it's a recording. The same happens when you enter one of these supervenues.
My dearest friend and I visited a new quasi-private venue and decided to join recently. It's a small place, and probably the hype of it all drove our decision. But, what couldn't be changed was how easily it was to get caught up with the manufactured reality of the place. Yes, the person sitting next to me was on her mobile phone, but I myself was in a 1930's lounge where everyone on staff remained polished, informative, and absolutely on-point for our entire visit. Now - that's something to aspire to.
In addition to character, it's about the fact that a property or house committee are the last places where decisions on decor or architecture should be made. As I always say, the King Dome in Seattle was designed by committee, and look what happened to that. By removing the opportunity for members to imprint themselves on the private club, zealots who have special interests are easily managed. Moving forward, venues that are owned by hospitality professionals will trump the private club in terms of experience.
QUALITY
The last component to perfection is quality. A club that took a significant risk recently is notable. While for all intensive purposes it has a committee system, one cannot dispute the absolute quality of its general manager. The club hired the individual out-of-market and the decision to do so and net results have been as exciting to witness as a championship college football game. The club had one of those traditional restaurant venues Mrs. X would have enjoyed and decided to make a strategic investment. It hired a sought-after new chef - but gave the chef the flexibility with budget to make a significant impact on quality. Again - net result = packed restaurant.
Bucking trends, taking risks, and being ahead of all competition (like everything) is the recipe for the private social club to remain relevant to sustain and grow membership from quality demographics.
Saturday, October 12, 2013
Lorde's Royals Captures Essence of Cage
Bravo! Lorde's satire of the excesses of the wealthy certainly meshes well in demonstrating the corruption of the character of Jane's son, Joey, in Cage of Privilege. Was Jane to blame for all of Joey's bad behavior to begin with?
Also, was Lorde's pronunciation of Maybach in the recording/video a tip of the hat to the uncultured who pronounce it May-Back?
Monday, September 16, 2013
The Next Chapter - Manipulation
Wednesday, August 21, 2013
Bad Behavior Pay Off?
How many times do we have to hear about the new addict that develops out of a family of means? It's so sad that families today are not training their children to be the rising stars of philanthropy. Instead, several are using the collective grant making seat as a way to pilfer their family's hard-earned funds by using it to bid on European trips etc. during auctions. It is no wonder that it typically takes no more than three generations to lose a fortune, as the first generation earns it (and loves the community in which it was earned), the next tries to sustain it (usually without success - father is never the son / mother is never the daughter in so many cases), and the third generations pisses it away on coke lines, Rolex watches, boats, vacation homes, and other things to make them feel significant that can never replace the absolute ecstasy the first generation enjoys during the loving creation process of the business.
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